Interesting article in (of all places) The New Yorker regarding mechanics:
EVERYBODY’S AN EXPERT
DRAWING PITCHERS
Issue of 2005-10-24
Posted 2005-10-17
Michael Witte, an illustrator, enjoys his work but finds that the artist’s life can be lonely. So, a few years ago, to relieve the monotony of his days, he installed a twenty-seven-inch television in his attic studio overlooking the Hudson River in Nyack. He liked playing tapes of old baseball games, and found himself frequently pausing to watch the windups of Hall of Fame pitchers, frame by frame. “One of the things I discovered is that the mechanics of the greatest pitchers are consistent throughout the history of the game,” he said the other day. During the course of his procrastinations, Witte became convinced that he had divined a very important secret: how to safely and dependably throw a ninety-five-mile-per-hour fastball.
Witte, who is sixty-one years old, with wispy graying hair, grew up near St. Louis, rooting for his home-town team. As it happened, some boyhood friends of his bought a stake in the Cardinals in the mid-nineties. Witte began attending spring-training games with one of them, Andrew Baur, occasionally dropping hints that he had made a revolutionary discovery. At first, he was a timid Galileo. One afternoon, Baur invited him on the field to watch Rick Ankiel warm up. “Is that beautiful or what?” Baur said. Witte kept quiet. “I didn’t want to be a nasty guest,” he said. “But internally I said, ‘Or what.’ I just knew he was never going to fulfill his promise.” A few years post hoc, Ankiel lost the ability to throw a baseball within the same county as home plate. He is now an outfielder.
Gradually, Witte grew more confident about his theories, to the dismay of his wife, a psychologist, and his three sons. “My dad will happily teach anyone how to throw a round ball with optimal efficiency,” said his son Spencer, who played second base for Temple. “If you sound interested, you basically just volunteered for an hour lesson.” Unbidden, Witte began faxing elaborate diagrams of pitching mechanics to his pals in St. Louis. Either they were just being polite or they saw something potentially valuable, but they arranged for Witte to give a presentation on the mechanics of the Hall of Fame pitcher Bob Gibson to an audience that happened to include Bob Gibson. Witte recently learned that the night before the presentation Gibson told Baur, “If this guy is full of ****, I’m walking out.” Gibson stayed. (Witte has not ventured to ask if this constituted an endorsement.) Witte said, “I was able to show him why he had been a great pitcher, which he never understood before then.”
Witte’s scientific theory, the specifics of which he refuses to divulge, has something to do with how successful pitchers keep their gloves elevated at the start of their windups, let their back shoulders drop, and lift their front legs high. Jeff Luhnow, the Cardinals’ vice-president of player procurement, admits that Witte at first seemed to have “very little credibility,” but he nevertheless put him on the payroll as a consultant.
In May, before the amateur draft, Luhnow sent Witte several DVDs of pitchers the Cardinals were considering. Witte found that several of the prospects had windups that deviated from his preferred trajectory, and so, in lengthy memos, written with a drawing pen, he advised the Cardinals to avoid them. A few days before the draft, two of these pitchers blew out their arms. “I think this helped me establish more authority,” Witte said.
Luhnow also invited Witte to spring training to lecture the team’s minor-league pitching coaches. He arrived in Jupiter, Florida, carrying three suitcases of video tapes with labels like “Drysdale!!!” and “Seaver!!!” and a large artist’s sketch pad with a hand-drawn presentation which he called “Classic Mechanics: A Throwing Model Based on the Construction of the Motions of Great Historic Pitchers.” Five pitching coaches, wearing their uniforms, sat down in a conference room. Did they look happy to be there? “Not exactly,” Witte said. None of the coaches offered him any tips on his drawing style. — Michael Rosenwald