AKFirstbaseman,
Your reply to PGStaff:
quote:
PGStaff, to answer your question (“…do you have some problems with off speed pitches?"), yes, most of the time. However, there have been several a times where hanging curve balls have been meat. But a middle away break curveball, or a slider, i generally tend to be unable to weight back on and drive to the right side. Usually, i either A: roll it over to the left side, or B: if im lucky i wait just enough to go back up the middle but on for a single. To answer your second question, I do not have any ingame footage sorry.
My two cents (as a former high school hitting coach) , and something you may want to try (up to you):
What I see, and please know I’m only observing what I see from cage swing (game swing is definitive) :
1. stance is slightly closed, and stride ends up slightly even more closed.
2. you’re a big guy (6-2, 6-3?) and have a big stick (34?) and have a better than average reach and you are too close the plate.
What this does - is make it tougher to pull, and harder to wait on outside pitch.
If a hitter crowds, he must make contact on an inside pitch further in front to get sweet of bat on the ball. If you set your timing for fastball, and are geared to include coverage of inside pull, then your timing will be early (and consequently contact the ball further in front than you need) . If you are geared early, when given an outside change, you can’t really expect your bat timing range to wait properly. Plate coverage with the sweet of the bat is the key. If I’m not clear, please ask.
Some video stills from your recent BP:
http://www.youtube.com/watch?v=1rnfClAZmasPitch1 – the video frame before contact. Pitch is middle-out. See how close your hands are to the ball.
Pitch1a – the video still is at contact (the ball is jumping off the bat). You pull. Please note the arrows – end of bat head, ball, hands (black gloves). Making contact slightly on bat handle side of sweet. Room to spare. Technically you should be driving this ball up the middle while making contact on the bat head side of sweet, and on the sweet if you tilt upper half a bit more.
Pitch2 - Pitch is dead red. Again see how close your hands are to the ball, with no tilt.
Pitch3 is a ball outside, no swing.
Pitch4 is an outside strike. Again look how close the hands with tight rear elbow tuck and no tilt. If you were off the plate more, you still have room for tilt, and room for the elbow to extend (remember this is an outside pitch). And if you were to wait longer, the elbow doesn’t have to extend further.
Pitch5 is an inside strike that you do not offer at. Whoever even says, “Wasting film”. My guess is that you would be very uncomfortable trying to hit this pitch. Standing so close, you would have to open your stride and contact very very early and even then you couldn’t possibly get the sweet on it.
Pitch6 is middle-out and no tilt at all. Why (rhetorical)? Too close and don’t have to, and hands are even still too close.
Pitch7 is pitcher’s pitch, but still a strike. Extreme inside, which you again don’t offer at. Standing so close and striding in, how are you supposed to handle that pitch when you must? Whoever says, “I got that on film”.
Pitch8 (shown at contact) is dead red and look how tight your arms (and consequently your hands) are to your body. This still only permits you to hit the ball on the trademark. If you were off the plate, square stance, square stride – ohmagod.
AKFirstbaseman, not trying to knock, and I certainly defer to more experienced coaches here. You offer a lot for a coach to help with. Just suggesting something simple to try.
My observations here were based on cage work. Hate that. But it is what it is. I used to film our hitters from CF in game (with pitcher in view). The best. Shows pitch recognition, strike zone judgement, plate coverage, pitch sequence and mental game, timing, etc.
Best of luck.